威(🔔)(wēi )尼斯(🐤)國際電影節(🗼)(jiē )參展作品(🛺)
上集提(tí )到，济公联(🕺)同各(gè )路英(📜)雄联盟，又(yòu )一(🦔)次化(🌻)解人间(🕝)浩(hà(📠)o )劫，但凡间并没(🔧)(méi )有得(dé )到(👒)安宁，战事纷(fēn )争仍(😓)然不断。高(gā(🛢)o )人杰将军乃(🤨)朝廷(tí(🤸)ng )名将，参与大(🏊)大(dà )小小胜(🖖)仗数十场(chǎng )，立(🕞)下不(📇)少汗马(mǎ )功(😐)劳，被视为民(mí(🔤)n )族英(yīng )雄！
Siblings torn apart by the hazards of life meet in Spain to settle the family's modest inheritance. Gustave, the mover, on the brink of bankruptcy, Jules the anarchistic activist, and Lou, the youngest, lost between her brothers, yearning for the unknown. Each one has a different outlook on life and their personal projects for this inheritance will reawaken family disagreements and phantoms of the past.
Small time criminal Jimmy from Malmö(🔣), dreams of making it big. All he has to do is to pull off the drug deal of his lifetime with the infamous crime boss Dragan. Things don't go as planned, and suddenly Jimmy becomes a wanted man on the run from the police. He turns to the girl he loves Josephine, and during a few unforgettable summer nights their passion stirs a storm of emotions. Jimmy has to put everything on the line to fulfill his dream, but his past comes back to haunt him. The two lovers have to make a decision that will change their lives forever.
從高(😛)(gāo )峰滑(huá )落谷(🌈)底，比(bǐ )從未(🛁)(wèi )風光過更(👬)難受？(😇)前曼聯球星(🌾)簡東(dōng )拿變(🔤)身潦倒過氣(qì )藝術(🎫)家尤利西，那(⛄)種時不我與的(🕋)(de )虛空(👢)落寞盡(🛵)在眉(😢)(méi )宇間。藝術學(🍽)生(shēng )蒙娜(nà(🌲) )欲拜他為師(shī )，反(fǎ(💚)n )過來成了他(🚘)重生(shēng )的希(🍥)望。發現(🐼)身(shēn )患絕症(🎃)後，他由(yóu )蒙(♟)娜作伴，走出(chū(⛹) )隱居(🤝)大宅，尋訪(fǎ(〽)ng )當年被他離棄(🆔)的(de )弟弟(dì )及(🥨)妻兒(🛎)，坦(tǎn )白致(zhì )歉(💛)望求寬恕(shù(⛏) )。感(gǎn )性而不(🌧)感傷，碧(🍵)(bì )巴達以不(🐯)慍不火(huǒ )的(🦄)圓熟技巧呈現(xiàn )破(🎀)碎人生的悲(🍆)喜(xǐ )，冷不防遇(🔛)上慌(👺)(huāng )失失(🆖)劫匪(📺)來個黑(hēi )色幽(🔽)默，也未忘(wà(⏹)ng )留下孩子的善良(liá(🔙)ng )，溫(wēn )潤人間(🚫)。
Three families from three different level of society are involved in an accident. Immorality and betrayal which are in some families will take the natural right of the children- All in the dark are the same, human do not make the same decision in the specific situation and in the end no one is guilty. The wrong culture of a society will force the human to do the mistakes so we should not judge the people and their behavior..
ユミは夫と(♏)娘の３(♑)人暮(mù )らし(🔴)。近々引っ越(🎁)しを考えてい(🚆)る。ユ(🚿)ミは娘のレ(🕞)イナが時折う(🥊)わ言を発す(〽)るこ(🚩)とが、少々気(📿)にかかって(🍳)いた。転居(jū(🕌) )の報告(♑)も兼ねて友(🕴)人ヒロミと(🌁)久(jiǔ )々に再会する(💚)ユミ。話題は(🚄)いつしか「あ(🤡)の日(🐑)」のこ(🍮)とに(💍)。「私(sī )たちが(🤠)埋めた時(shí(😨) )、本当に死んでた(⛔)のかな？」(🏎)。ユミは「あ(♌)の日」(🍎)のことを清(🛸)算すべく、(🍇)サエ、アコに(🦃)も再(😊)会を決意(yì(🤱) )し、廃墟のよ(🍻)うな家に一(🕔)人で住(zhù )むサエに(🍮)会いに行く(❔)。サエは、見(🥒)知(zhī )ら(⬆)ぬ少女が現(🚼)れて娘だと(😙)言って聞かず、し(🍈)ばらく一緒(🕦)に暮らしてい(📐)たが(🎑)死んだ(🙄)こと(🌮)、そして少(shǎ(🎹)o )女は死んだ(🔺)ままその家の３階(💨)に寝かされ(🍬)ているとい(🛫)うこと(😵)を話し出(chū(🌐) )す。(C)「黄泉が(🐄)える少女」製(🐛)作委(🔺)(wěi )員会
一名(👙)男子不(bú )滿一(📴)樁冤獄案件(🔴)(jiàn )的發生，私自綁(bǎ(🈴)ng )架審(shěn )判該(⬇)案的法(fǎ )官(🕋)，將其囚(🌆)禁於(yú )地下(🔘)(xià )室，並錄影(🚐)開直(zhí )播，公開質疑(🔅)其(qí )判決有(😽)誤，要求(qiú )社會(🔪)大眾對其進(🌲)(jìn )行(📎)公審並投票，然(🚢)而最終的結(🦌)果(guǒ )，會因此撼動程(🌴)(chéng )序正義嗎(🥕)？
1928年7月(yuè )，国(🗼)(guó )民党第十二军军(👸)(jun1 )长孙殿英以(😤)军事(shì )演习为(🚾)名，秘(🕺)密(mì )挖掘了(⤵)清东陵慈(cí )禧(🏾)墓和乾隆墓(😒)，盗窃了无数的稀(xī(🐁) )世珍宝，但这(⏰)些(xiē )财宝(bǎ(🚫)o )下落不(🙌)明。据民(mín )间(☕)传说，孙(sūn )殿(✖)英(yīng )将部分财宝贿(🤕)赂(lù )给了上(📊)司徐源泉(quán )，徐(🚽)源泉便将财(📧)(cái )宝(🎗)埋在了自家公(🔑)(gōng )馆的地下(🦓)秘室中(zhōng )。文革期间(🤪)，有(yǒu )人在武(🖊)汉新洲徐(xú(🥡) )公馆附近挖出了(le )不(🥇)少(shǎo )枪支军(⛏)备，结果(guǒ )有关(🎃)徐公(🛫)馆藏有(yǒu )巨(🥠)宝的说法不胫(🌱)(jìng )而走。影片(🦍)以武(wǔ )汉新洲仓埠(🔰)古镇(zhèn )徐源(🚗)泉将军的古(🌃)(gǔ )宅及(🏜)密道为依托(😀)(tuō )，首(shǒu )次通(🧙)过影片(piàn )的形(xíng )式(😈)向世人公(gō(🥈)ng )开此(cǐ )历史文(🖱)化古迹。考古(💓)专业(🛰)毕业生(shēng )雪莹(🥥)跟随考古专(🍇)(zhuān )家古莫教授等人(👂)(rén )进入徐公(🌚)馆考古(gǔ )，考(🏁)古队在古宅(zhái )的地(😆)下秘道内发(🔅)(fā )现一件宝物(🤬)，宝(bǎ(🐗)o )物在(zài )押送(🔍)途中被匪徒(tú(🍍) )抢走，之后教(🔳)授(shòu )等人与男女神(🍡)偷(tōu )、国外(👸)文物团伙(huǒ(🅱) )尤大等(🐸)人激烈争(zhē(🤢)ng )夺，宝物丢失(😼)后(hòu )，匪徒陆续遭受(🚈)(shòu )报应(yīng )，并(😟)出现系(xì )列离(📏)(lí )奇死亡事(😁)件(jià(😨)n )，一(yī )场正义与(🏷)邪恶的(de )较量(🐆)由此开始......
Goliat is set in a small industrial town somewhere in Sweden. When Roland is sentenced to prison, his son, 17-year old Kimmie, is expected to provide for the family by taking over his dad's criminal business. This is a task he's not ready for. The film's depicting a boy's brutal entry into adult life and examines aspects of social heritage and patriarchal structures, at a time when the welfare is declining and Sweden is changing.
